Andrea Pozzo 38 Artworks

A square design in perspective.

A column in perspective

A projection of the Dorick order in perspective.

The elevation of scenes in front, and how the oblique scenes are made to appear direct.

Another quarter of the whole design.

The geometrical plan, and first preparation to the seventy-first figure.

One half of the Dorick design in perspective.

The geometrical elevation of the foregoing design.

The Tuscan entablature in perspective

The geometrical plan of the church of S. Ignatius at Rome

The Corinthian capital in perspective

Self-Portrait

Circles in perspective

The optical delineation of a square.

The geometrical design of a cornice, of the composite order.

Preparatory to the thirty-seventh. [Outline and perspective lines.]

The orthography, or geometrical elevation of the inside of S. Ignatius’s church.

The preparation necessary to the following figure, and to all other horizontal perspectives, whether on flat or vaulted ceilings.

The Dorick base in perspective.

The perspective plans and upright of the Corinthian design foregoing.

The manner of erecting machines, that consist of several ranges of frames.

Another plan of a theater, with the method of finding the point of sight therein.

The projection of a pedestal, of the composite order, in perspective.

The projection of a Dorick capital, in perspective.

The manner of avoiding confusion, in reducing plans and elevations into perspective.